The most difficult part of the task was to choose a photograph to work from that captured her "her"-ness. I've seen her a thousand different ways in hundreds of kinds of light making dozens of kinds of expressions. How could I possibly choose one photograph that made me think, "that is so her."??? I suppose it should have been a picture of her sucking her thumb and pulling on her ear. That's what she looks like %50 of the time she is awake.
But...then I wouldn't get to see much of her face. And I can draw hands, but I didn't want anything to take away from her sweet face. It needed to be a photograph after she turned at least nine months old. Any time before then, babies look very "baby"-like. They start to come into their own look after that I think. I like drawing 3/4 views or profiles because then I can capture the shape of a child's face, and I also don't have to get bogged down with the difficult task of making eyes exactly symmetrical. And it needed to be a photograph that would also remind me of a happy memory. So all of those requirements helped me narrow the field of thousands of photographs of her considerably.
I decided to use a photograph that my friend Ang took of her. It was from the day we got Molly dedicated at church. That day, to me, was a big deal. It was the day I told God that her life belonged to Him and not to me. I hope that the picture will remind me of that promise I made to Him.
(note the thumb and ear) :o)
These were all taken by Ang at our little luncheon we had at my in-laws after church:
So with photograph in hand, I sharpened my Prismacolors (Sepia, White, Terra Cotta, Ultramarine Blue, and Sienna Brown) and married pencil to paper.
Sometimes I work upside down, so my brain will disassociate shapes and shadows with objects like eye brows and cheekbones. It's always fun to turn the drawing right-side-up and see that I actually made a face and not just an abstract drawing with shadows, lines, and highlights. But for Molly's drawing, I was deliberate to look at each feature for exactly what it was: her little nose and sweet lips and an ear that is shaped just like her daddy's.
And drawing her bows reminded me of how many times that day I had to keep putting them back in her hair when her brother would rip them out, look at me, and laugh.
I put the drawing in a frame just like the one I bought for the wedding portrait I drew of me and her daddy.
And here is the finished result:
My sweet Molly Grace.
And here are our pictures together as a family of three...
What a sweet, special time I had re-creating her image, worshiping my Creator as I did it.
On Thursday, we're going to find out if in the near future I'll be drawing a portrait of her sister or her brother!!! I feel so blessed.








9 comments:
so beautiful!
You are so incredibly talented! And of course she's a beautiful subject to draw :)
Thank you, ladies! :o)
That is so beautiful, you are truly talented!
So beautiful. Your portraits make me so happy, and this is definitely my favorite ever. I know this is pushing it because I'm still waiting on a wedding portrait from you, but will you draw my baby boy, too?
Yes, yes Robin. I am terrible. I will do your wedding portrait and your sweet baby boy :o)
Not terrible. Just occupied. :o)
Love this! I totally turn my subject upside down when I can for the same reason... unless it's a real person. Then I let them stay right-side-up.
I tried the upside-down thing with an art student once, and it completely threw her off.
It must only work for Megans.
Megan, that's just one more reason why you are awesome :o)
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